![]() ![]() And even in his recent work, Godard continued to champion an uncompromising commitment to one’s own vision, fearless in the face of the public’s or the critics’ reactions. Films like Contempt, Band of Outsiders, and Pierrot le Fou lit a fire under a nascent American scene that would ultimately produce Hollywood’s renaissance of the 1970s, as directors such as Martin Scorsese and Francis Ford Coppola brought Godard’s adventurousness to the studio system, resulting in some of the decade’s most personal and singular movies. Alongside compatriots such as François Truffaut, Godard was one of the guiding forces behind the French New Wave, which turned its back on the era’s tasteful establishment dramas, instead toying with narrative, editing, sound, and image to reimagine the possibilities of cinematic storytelling. In a career that began with 1960’s groundbreaking Breathless, the French Swiss director tore apart Hollywood conventions, inspiring generations of filmmakers after him to embrace a creative freedom they didn’t know was possible. Jeanneret added that the filmmaker had “multiple disabling pathologies” and “decided with a great lucidity, as he had all his life, to say, ‘Now, it’s enough.'” ![]() The director died at his home by assisted suicide in Rolle, Switzerland, where that practice is legal, Godard’s longtime legal adviser Patrick Jeanneret told The New York Times. Jean-Luc Godard, the father of modern cinema whose impish, combative provocations threw down a gauntlet with which all those who came in his wake must contend, died Tuesday. ![]()
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